Post by vala elizabeth hartwell on Sept 1, 2009 20:09:44 GMT -5
From the moment she’d arrived—which had been last night—she had felt overwhelmingly…well, she couldn’t quite fit a word to it. All she could manage was wonder; why was she here? Why had she come back? Was there some part of her that was masochistic? Was she an idiot? Maybe she really had gone insane, after all this time. Coming back had turned her into a complete mess, which combined her restlessness and that feeling in the pit of her stomach that she couldn’t put a name to. Except that those feelings weren’t supposed to exist for people (creatures) without a pulse, were they? Suddenly she felt like she was a three year old human who hadn’t killed anything (anyone), who hadn’t tasted human blood, who hadn’t experienced its seduction. Who didn’t know about war or famine or even reality TV. Who looked at the world and asked about all of it, whose curiosity was endless and whose smiles did not whisper secrets. They were real smiles, bright and toothy, that sang innocence and ignorance. Sang of hope that had not yet been dashed and untarnished realities that could never exist. And of all this wasn’t fair because she was a sixty-eight year old vampire with forever ahead of her. She could keep on like this for eternity (unlike in the movies, vampires really were a bitch to kill; a wooden stake through the heart would probably be followed by a laugh—and then, well, death). She could’ve stayed in Europe, where she was perfectly happy. Well, not perfectly. Not really happy, either. More like alive, which was how she’d prefer to stay—and “alive” shouldn’t equal this constant uncertainty hovering over her. Where she couldn’t take a single step forward without looking over her shoulder, like she was paranoid or something, which just didn’t make sense. Jesus, none of it made any sense.
What made the least amount of sense was how she was standing outside of the movie theaters, staring through the window (not seeing any of, though, and not really caring—it wasn’t like the popcorn was particularly enticing, nor the movies themselves). It wasn’t like she suddenly wanted to be one of these people (wishes like that were never sudden, after all; they had the grace of a panther and the lofty eloquence of someone who mattered). They were just people, humans who smelled of popcorn and grease and overpriced candy and fast-approaching heart attacks. They were just people, so wrapped up in their own worlds that they couldn’t begin to imagine what took place around them every day. Maybe it wasn’t a wonder they could be so blind—they were self-serving by nature. It was why there had been so many threats and so much horror and so many cries of blasphemy when the sun was declared the center of the universe. It was why humans couldn’t see that they were really just a piece of a larger puzzle—not even the last one or the first, probably not one of the obvious, crucial ones toward the center. Maybe they were just a background piece, one of the parts that couldn’t be distinguished from the one beside it, the sort that people labored over for hours in order to get it right. It was better, wasn’t it, that they were so absorbed in their own lives—because when humans did have epiphanies, they tended to just get in a way.
But right now, why did they matter? Why did she stand outside this world that would never have her and look in, like there was something to find? Why did she stand beside the ticket booth like she might actually purchase something? She hadn’t enjoyed movies when she was young and they held no interest to her now—not the passionate throes of an epic romance nor the ridiculousness of the shit people liked to call “comedy.” With humans, it was always about feelings and messages and preaching. Everyone always had to feel something, feel a certain way, find truth inside themselves. Worse were the movies that played at being profound because at least the others knew their place. But superficiality had a habit of grabbing humans and making them spend at least nine dollars on this. Nine dollars to sit down and watch people. Vala could do that here, outside the movie theater, without paying a cent. Because for a moment, she wanted to understand. She wanted to understand what it all meant, how they felt, how they thought. Because suddenly a word came to her—nervous—and it was so foreign on the edge of her lips, on the surface of her tongue, that it tasted acrid. It stung. It demanded to know why she was so different from all of these people she watched (when normally she would wander through them without a moment’s notice, without a turn of her head, because none of them mattered and she didn’t care), what set her so apart. And for some reason, for one of the very few times in her entire life, she felt at a loss. She felt at a loss amongst (apart from) these people and their little realities and escapes and superficiality. And on the one day she felt she belonged to them most, she didn’t want to (couldn’t) break the glass.
Vala Elizabeth Hartwell knew why she’d come back. She hadn’t come back to stand hopelessly outside of movie theaters and stare at the reflections of humans walking by. She hadn’t come to Forks for its world-renowned popcorn (ha) or its tales of love and loss and failure and reemergence, of growth and of hope. She didn’t care about any of that. But as she stood there in her black sunglasses and her unforgiving smile, she wondered if she didn’t deserve to be so ignorant. Wondered if that was a punishment at all or if she could understand why suddenly she knew nervousness. But all she could do was drum her hands against her jeans in a rhythm that aimed to be a song but couldn’t quite manage. All she could do was try to forget (always remember) why she’d come back. Who she’d come back for. (Why it wouldn’t matter because she was the one who’d left.) The weight of knowing pressed down hard against her and maybe if she wasn’t a vampire, it would have suffocated her. But she was not human. It could do nothing to her.
How could something ache when it didn’t even beat?
(How could Vala Hartwell turn into a puddle of cliché butterflies and foolishness when she didn’t believe in it at all?)
{ ooc; SORRY IT'S NOT MORE AWESOME. I'm kind of a failure and I know it's not great or anything. ): BUT YOU LOVE ME FOR POSTING ANYWAY RIGHT? <3 }
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What made the least amount of sense was how she was standing outside of the movie theaters, staring through the window (not seeing any of, though, and not really caring—it wasn’t like the popcorn was particularly enticing, nor the movies themselves). It wasn’t like she suddenly wanted to be one of these people (wishes like that were never sudden, after all; they had the grace of a panther and the lofty eloquence of someone who mattered). They were just people, humans who smelled of popcorn and grease and overpriced candy and fast-approaching heart attacks. They were just people, so wrapped up in their own worlds that they couldn’t begin to imagine what took place around them every day. Maybe it wasn’t a wonder they could be so blind—they were self-serving by nature. It was why there had been so many threats and so much horror and so many cries of blasphemy when the sun was declared the center of the universe. It was why humans couldn’t see that they were really just a piece of a larger puzzle—not even the last one or the first, probably not one of the obvious, crucial ones toward the center. Maybe they were just a background piece, one of the parts that couldn’t be distinguished from the one beside it, the sort that people labored over for hours in order to get it right. It was better, wasn’t it, that they were so absorbed in their own lives—because when humans did have epiphanies, they tended to just get in a way.
But right now, why did they matter? Why did she stand outside this world that would never have her and look in, like there was something to find? Why did she stand beside the ticket booth like she might actually purchase something? She hadn’t enjoyed movies when she was young and they held no interest to her now—not the passionate throes of an epic romance nor the ridiculousness of the shit people liked to call “comedy.” With humans, it was always about feelings and messages and preaching. Everyone always had to feel something, feel a certain way, find truth inside themselves. Worse were the movies that played at being profound because at least the others knew their place. But superficiality had a habit of grabbing humans and making them spend at least nine dollars on this. Nine dollars to sit down and watch people. Vala could do that here, outside the movie theater, without paying a cent. Because for a moment, she wanted to understand. She wanted to understand what it all meant, how they felt, how they thought. Because suddenly a word came to her—nervous—and it was so foreign on the edge of her lips, on the surface of her tongue, that it tasted acrid. It stung. It demanded to know why she was so different from all of these people she watched (when normally she would wander through them without a moment’s notice, without a turn of her head, because none of them mattered and she didn’t care), what set her so apart. And for some reason, for one of the very few times in her entire life, she felt at a loss. She felt at a loss amongst (apart from) these people and their little realities and escapes and superficiality. And on the one day she felt she belonged to them most, she didn’t want to (couldn’t) break the glass.
Vala Elizabeth Hartwell knew why she’d come back. She hadn’t come back to stand hopelessly outside of movie theaters and stare at the reflections of humans walking by. She hadn’t come to Forks for its world-renowned popcorn (ha) or its tales of love and loss and failure and reemergence, of growth and of hope. She didn’t care about any of that. But as she stood there in her black sunglasses and her unforgiving smile, she wondered if she didn’t deserve to be so ignorant. Wondered if that was a punishment at all or if she could understand why suddenly she knew nervousness. But all she could do was drum her hands against her jeans in a rhythm that aimed to be a song but couldn’t quite manage. All she could do was try to forget (always remember) why she’d come back. Who she’d come back for. (Why it wouldn’t matter because she was the one who’d left.) The weight of knowing pressed down hard against her and maybe if she wasn’t a vampire, it would have suffocated her. But she was not human. It could do nothing to her.
How could something ache when it didn’t even beat?
(How could Vala Hartwell turn into a puddle of cliché butterflies and foolishness when she didn’t believe in it at all?)
{ ooc; SORRY IT'S NOT MORE AWESOME. I'm kind of a failure and I know it's not great or anything. ): BUT YOU LOVE ME FOR POSTING ANYWAY RIGHT? <3 }
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